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Questions for Jim Phillips interview for Concrete Wave

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jacbli76
Posted: Tue Sep 25, 2007 11:49 am Reply with quote
Joined: 01 Aug 2006 Posts: 37323
whats your porn name?
(first pets name & the street you grew up on)





and........ask him to sit in a manner that allows for his right leg to dangle,

now have him begin to draw little imaginary circles(clockwise) with his

right foot.........now with his right index finger, draw the #6 in the air

while continuing the clockwise circle........did his foot change directions?
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gogomouse1
Posted: Tue Sep 25, 2007 12:29 pm Reply with quote
ORDER OF THE SKULL ORDER OF THE SKULL
Joined: 11 Mar 2006 Posts: 5842 Location: vegas
Ask why his isn't given more credit for his iconic work in the 70's for NHS, instead of just the stuff he did in the 80's?
Not just the Santa Cruz logos, but Indy, Road Rider, OJ, etc.-






my favorite Phillips piece-







Also, is he under any exclusivity contract with PPS? Could he/would he be willing to do a one off piece for someone who wanted to make a small run of decks? how much would he charge?



What lessons has he learned from past buisness dealings?

What are his feelings about the balance of art and buisness?

Has he ever considered opening up a tattoo shop?

What is his favorite piece of work he's done? And if he could pick one to represent all his work, which would it be?
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Buck Toff
Posted: Tue Sep 25, 2007 8:09 pm Reply with quote
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Joined: 03 Sep 2004 Posts: 4438 Location: Industrial Gulag
gogomouse1 wrote:

my favorite Phillips piece-




That poster from 1977 looks like it could have been done yesterday on a computer using modern software like Adobe Illustrator...and even then it would be considered a good piece. Very ahead of its time.
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jchan
Posted: Wed Sep 26, 2007 2:07 am Reply with quote
Joined: 19 Apr 2005 Posts: 3010 Location: SE
How does he feel about being back in the skateboarding world but mainly asked to redo stuff he did 20 years ago.

To what extent is it artistically frustrating.

How does he feel about art being 'over consumed'. Or does he agree that it can be.

Does he have any fears that part of the legacy or iconic status or whatever surrounding himself and/or some of his art will be destroyed by remaking classic art in certain ways.

Is it at the same time somewhat scary to present brand new ideas and possibly having them rejected by his old fans.


Last edited by jchan on Wed Sep 26, 2007 4:13 am; edited 3 times in total
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mealsonwheels
Posted: Wed Sep 26, 2007 2:55 am Reply with quote
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Joined: 26 Apr 2004 Posts: 7298 Location: Geelong Australia
Do you miss the days where you just did art for skateboards without stirring up any controversy and enjoying the golden time of the mid/late 80's when companies were competitive but really just wanted kids to love new board shapes and graphics from a select few pro's on a team that they looked up to?

That is a long sentence - I just miss the 80's myself


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